

It's the time of the season When the love runs high In this time, give it to me easy And let me try With pleasured hands To take you and the sun to Promised lands To show you every one It's the time of the season for loving What's your name? (What's your name?) Who's your daddy? (Who's your daddy? He rich?) Is he rich like me? Has he taken (Has he taken) Any time (Any time to show) To show you what you need to live? Tell it to me slowly Tell you what? I really want to know It's the time of the season for loving What's your name? (What's your name?) Who's your daddy? (Who's your daddy? He rich?) Is he rich like me? Has he taken (Has he taken) Any time (Any time to show) To show you what you need to live? Tell it to me slowly Tell you what? I really want to know It's the time of the season for loving
It's the time of the season When the love runs high In this time, give it to me easy And let me try With pleasured hands To take you and the sun to Promised lands To show you every one It's the time of the season for loving What's your name? (What's your name?) Who's your daddy? (Who's your daddy? He rich?) Is he rich like me? Has he taken (Has he taken) Any time (Any time to show) To show you what you need to live? Tell it to me slowly Tell you what? I really want to know It's the time of the season for loving What's your name? (What's your name?) Who's your daddy? (Who's your daddy? He rich?) Is he rich like me? Has he taken (Has he taken) Any time (Any time to show) To show you what you need to live? Tell it to me slowly Tell you what? I really want to know It's the time of the season for loving
Foi gravada nos estúdios Abbey Road em agosto de 1967, com Rod Argent ao teclado e Colin Blunstone no vocal característico.
Apesar de lançada após a separação da banda, alcançou o #3 na Billboard Hot 100 em 1969 e chegou ao #1 nas paradas canadenses, mas não entrou nas listas do Reino Unido.
O riff de baixo marcante lembra o da música “Stand By Me”, de Ben E. King, e se tornou um dos elementos mais reconhecidos da faixa.
A produção inclui versos de “call‑and‑response” (“What’s your name? … Who’s your daddy? … Is he rich like me?”) que aparecem tanto na versão estéreo quanto na mono original.
Em 1998, a reedição em CD da Big Beat Records trouxe as versões estéreo e mono originais, além de uma versão remixada que mantém o acompanhamento instrumental ao fundo durante todo o coro, ao contrário das versões de 1968 onde a seção vocal ficava a cappella.
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