Since I met you I've begun to feel so strange Every time I speak your name (that's funny) You say that you are so helpless too That you don't know what to do Each night I pray there will never come a day When you up and take your love away Say you feel the same way too and I wonder what It is I feel for you Could it be I'm falling in love (witcha, baby) Could it be I'm falling in love (ooh) Could it be I'm falling in love With you, with you with you, with you I don't need all those things that used to bring me joy You made me such a happy boy And honey you'll always be the only one for me Meeting you was my destiny You can be sure I will never let you down When you need me I will be around And darling you'll always be the only one for me Heaven made you specially Could it be I'm falling in love
Since I met you I've begun to feel so strange Every time I speak your name (that's funny) You say that you are so helpless too That you don't know what to do Each night I pray there will never come a day When you up and take your love away Say you feel the same way too and I wonder what It is I feel for you Could it be I'm falling in love (witcha, baby) Could it be I'm falling in love (ooh) Could it be I'm falling in love With you, with you with you, with you I don't need all those things that used to bring me joy You made me such a happy boy And honey you'll always be the only one for me Meeting you was my destiny You can be sure I will never let you down When you need me I will be around And darling you'll always be the only one for me Heaven made you specially Could it be I'm falling in love
A gravação foi feita em 1972 no Sigma Sound Studios, em Filadélfia, com a orquestra MFSB como acompanhamento.
O produtor Thom Bell trouxe o característico som de Philadelphia soul ao disco.
A faixa alcançou o #1 na lista R&B americana, o #4 no Billboard Hot 100 nos dias 3 e 10 de março de 1973, e vendeu mais de um milhão de cópias.
No Reino Unido, a canção chegou ao #11 no Top 40 da UK Singles Chart.
Bobby Smith lidera a maioria da música, enquanto Philippé Wynne canta o final.
Os compositores, os irmãos Melvin e Mervin Steals, às vezes eram creditados como “Mystro e Lyric” e trabalhavam para a Atlantic Records.
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