Uno, dos, one, two, tres, quatro. Matty told Hatty about a thing she saw. Had two big horns and a wooly jaw. Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully. Hatty told Matty: "Let's don't take no chance. Let's not be *L-seven*, come and learn to dance." Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully. Matty told Hatty: "That's the thing to do. Get you someone really to pull the wool with you." Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully.
Uno, dos, one, two, tres, quatro. Matty told Hatty about a thing she saw. Had two big horns and a wooly jaw. Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully. Hatty told Matty: "Let's don't take no chance. Let's not be *L-seven*, come and learn to dance." Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully. Matty told Hatty: "That's the thing to do. Get you someone really to pull the wool with you." Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully.
Foi gravada no Estúdio Sam C. Phillips, localizado na 639 Madison Avenue em Memphis, o sucessor do famoso Sun Studio.
A faixa segue uma progressão de blues de 12 compassos, característica que reforça o estilo clássico da década de 1960.
Lançada inicialmente como single pela pequena gravadora XL de Memphis, número 906, em 1964.
Em 1965, a MGM pegou a canção, ampliando sua distribuição e alcance nacional.
A composição foi criada pelo vocalista da banda, Domingo “Sam” Samudio, que liderava o grupo nas gravações e performances.
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