

Knew you'd be a vision in white How'd you get those pants so tight? Don't know what you're doin' But you must be livin' right We got some places to see I brought all the maps with me So jump right in...Ain't no sin Take a ride in my machine City traffic movin' way too slow Drop the pedal and go...go...go Goin' ridin' on the freeway of love Wind's against our back Goin' ridin' on the freeway of love In my pink cadillac Goin' ridin' on the freeway of love Wind's against our back Ain't we ridin' on the freeway of love In my pink Cadillac? Never you mind the exit signs We got lots of time We can't quit 'til we get To the other side With the radio playin' our song We keep rollin' on Who knows how far a car can get Before you think about slowin' on down City traffic movin' way too slow Drop the pedal and go...go...go
Knew you'd be a vision in white How'd you get those pants so tight? Don't know what you're doin' But you must be livin' right We got some places to see I brought all the maps with me So jump right in...Ain't no sin Take a ride in my machine City traffic movin' way too slow Drop the pedal and go...go...go Goin' ridin' on the freeway of love Wind's against our back Goin' ridin' on the freeway of love In my pink cadillac Goin' ridin' on the freeway of love Wind's against our back Ain't we ridin' on the freeway of love In my pink Cadillac? Never you mind the exit signs We got lots of time We can't quit 'til we get To the other side With the radio playin' our song We keep rollin' on Who knows how far a car can get Before you think about slowin' on down City traffic movin' way too slow Drop the pedal and go...go...go
“Freeway of Love” alcançou o patamar número 1 no U.S. Billboard Hot Black Singles Chart durante o verão de 1985.
A mesma música também subiu ao topo do U.S. Billboard Hot Dance Club Play Chart nesse mesmo período.
O fato de a faixa dominar simultaneamente as listas de R&B e de dança demonstra o alcance de Aretha Franklin em diferentes públicos da música americana.
O sucesso nos dois principais rankings de música negra e de clubes evidenciou o caráter crossover da canção, unindo elementos de soul e de dance.
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