1-2-3- (Good lovin' . . .) (Good lovin' . . .) (Good lovin' . . .) I was feelin' . . . so bad, I asked my family doctor just what I had, I said, "Doctor, . . . (Doctor . . .) Mr. M.D., . . . (Doctor . . .) Now can you tell me, What's ailin' me?" (Doctor . . .) He said, "Yeah, yeah, yeah, yeah, yeah, (Yeah, yeah, yeah, yeah, yeah) Yes, indeed, all I, I really need . . . (Is good lovin') Now Gimme that good, good lovin . . . (Good lovin') All I need is lovin' . . . (Good lovin') Good lovin', baby. (Good lovin') Now honey please, squeeze me tight . . . (Squeeze me tight) Don't you want your baby to be alright? (be alright) I said Baby . . . (Baby) . . . now it's for sure . . . (it's for sure) I've got the fever, Ya an' you've got the cure (got the cure) Everybody, "Yeah, yeah, yeah, yeah, yeah, (Yeah, yeah, yeah, yeah, yeah) Yes, indeed, all I really need . . . (Is good lovin') Cummon gimmie lovin' . . . (Good lovin') All I need is lovin' . . . (Good lovin') Good lovin', baby. (good lovin')
1-2-3- (Good lovin' . . .) (Good lovin' . . .) (Good lovin' . . .) I was feelin' . . . so bad, I asked my family doctor just what I had, I said, "Doctor, . . . (Doctor . . .) Mr. M.D., . . . (Doctor . . .) Now can you tell me, What's ailin' me?" (Doctor . . .) He said, "Yeah, yeah, yeah, yeah, yeah, (Yeah, yeah, yeah, yeah, yeah) Yes, indeed, all I, I really need . . . (Is good lovin') Now Gimme that good, good lovin . . . (Good lovin') All I need is lovin' . . . (Good lovin') Good lovin', baby. (Good lovin') Now honey please, squeeze me tight . . . (Squeeze me tight) Don't you want your baby to be alright? (be alright) I said Baby . . . (Baby) . . . now it's for sure . . . (it's for sure) I've got the fever, Ya an' you've got the cure (got the cure) Everybody, "Yeah, yeah, yeah, yeah, yeah, (Yeah, yeah, yeah, yeah, yeah) Yes, indeed, all I really need . . . (Is good lovin') Cummon gimmie lovin' . . . (Good lovin') All I need is lovin' . . . (Good lovin') Good lovin', baby. (good lovin')
“Good Lovin’” foi escrita pelos compositores Rudy Clark e Arthur Resnick.
A canção alcançou a posição número 1 nas paradas norte‑americanas em 1966.
Foi lançada como single pelo The (Young) Rascals, marcando o maior sucesso comercial da banda até então.
O título da gravação reflete o tema de romance e entusiasmo que era típico do rock dos anos 60.
Apesar de sua simplicidade, a faixa se tornou um dos hinos mais reconhecidos da discografia dos Rascals.
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