I've been hanging around this place too long I get satisfied and then I'm gone You break me down and then you treat me low Like a love you won't bestow On me (x2) These feelings I have can't be wrong The signs say - I've got the right of way Self-destruction is my destination This is how it pains my days With mixed emotions - even lies You make me break all ties to these ways You lay this guilt on me On me (x3) These feelings I have can't be wrong The signs say - I've got the right of way You take me seriously when I'm playing the part Oh, the man with the shattered start You break me down and then you treat me low Like the love you won't bestow On me (x4) These feelings I have can't be wrong The signs say - I've got the right of way You've got to break it, break it to me You got to break it to me easy (repeat and fade to end)
I've been hanging around this place too long I get satisfied and then I'm gone You break me down and then you treat me low Like a love you won't bestow On me (x2) These feelings I have can't be wrong The signs say - I've got the right of way Self-destruction is my destination This is how it pains my days With mixed emotions - even lies You make me break all ties to these ways You lay this guilt on me On me (x3) These feelings I have can't be wrong The signs say - I've got the right of way You take me seriously when I'm playing the part Oh, the man with the shattered start You break me down and then you treat me low Like the love you won't bestow On me (x4) These feelings I have can't be wrong The signs say - I've got the right of way You've got to break it, break it to me You got to break it to me easy (repeat and fade to end)
O título da faixa, “C’mon C’mon”, pertence ao movimento de revival do garage rock que ganhou força no início dos anos 2000.
Foi lançada em 2004 como parte do álbum *Pawn Shoppe Heart*, marcando o primeiro grande passo da banda nos mercados internacionais.
A canção se tornou o single com melhor desempenho nas paradas, superando todas as demais produções da Von Bondies até a data.
Apesar de não ter sido destaque em filmes ou séries, seu sucesso nas rádios e na cena underground ajudou a consolidar a reputação da banda como representantes do cenário alternativo de Detroit.
A música permanece como o principal marco na discografia da Von Bondies, frequentemente citada como exemplo de excelência do estilo garage rock revival.
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