

And what costume shall the poor girl wear To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties And where will she go and what shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Why silks and linens of yesterday's gowns To all tomorrow's parties And what will she do with Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties For Thursday's child is Sunday's clown For whom none will go mourning A blackened shroud, a hand-me-down gown Of rags and silks, a costume Fit for one who sits and cries For all tomorrow's parties
And what costume shall the poor girl wear To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties And where will she go and what shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Why silks and linens of yesterday's gowns To all tomorrow's parties And what will she do with Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties For Thursday's child is Sunday's clown For whom none will go mourning A blackened shroud, a hand-me-down gown Of rags and silks, a costume Fit for one who sits and cries For all tomorrow's parties
É a composição de Lou Reed, lançada em 1967 no álbum de estreia da banda, *The Velvet Underground & Nico*.
Lou Reed escreveu a canção observando a “clique” de Andy Warhol, descrevendo-a como “uma descrição muito adequada de certas pessoas na Factory na época”.
A faixa se tornou a favorita de Andy Warhol, que a citava como um marco da obra da banda.
O título da música inspirou um festival de música, um romance de William Gibson e um filme de Yu Lik‑wai.
*All Tomorrow's Parties* aparece de forma marcante na trilha sonora do filme de horror *The Lords of Salem*.
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