Yeah, you got satin shoes Yeah, you got fancy boots Y'all got cocaine eyes Yeah, you got speed freak jive Can't you hear me knockin' on your window Can't you hear me knockin' on your door Can't you hear me knockin' down the dirty street Hey, help me baby I ain't no stranger Help me baby I ain't no stranger Help me baby I ain't no stranger Can't you hear me knockin' when you're safe asleep Can't you hear me knockin' down the gas light street Can't you hear me knockin' throw me down the keys Allright now Hear me ringing big bells toll Hear me singing soft and low I've been begging on my knees I've been kickin' Help me please Hear me prowlin I'm gonna take you down Hear me growlin', yeah I've got flatted feet Now, now, now hear me howlin' I'm all around your street now hear me knockin' I'm around your town
Yeah, you got satin shoes Yeah, you got fancy boots Y'all got cocaine eyes Yeah, you got speed freak jive Can't you hear me knockin' on your window Can't you hear me knockin' on your door Can't you hear me knockin' down the dirty street Hey, help me baby I ain't no stranger Help me baby I ain't no stranger Help me baby I ain't no stranger Can't you hear me knockin' when you're safe asleep Can't you hear me knockin' down the gas light street Can't you hear me knockin' throw me down the keys Allright now Hear me ringing big bells toll Hear me singing soft and low I've been begging on my knees I've been kickin' Help me please Hear me prowlin I'm gonna take you down Hear me growlin', yeah I've got flatted feet Now, now, now hear me howlin' I'm all around your street now hear me knockin' I'm around your town
A faixa faz parte do álbum Sticky Fingers, lançado em 1971.
Em 2004, a Rolling Stone colocou “Can’t You Hear Me Knocking” na posição 25 da lista dos 100 maiores riffs de guitarra de todos os tempos.
O início da música apresenta uma introdução de guitarra nas quais Keith Richards e Mick Taylor colaboraram, evoluindo para um riff de ritmo tocado por Richards.
Aos 2 minutos e 43 segundos começa uma pausa instrumental com congas de Rocky Dijon.
O saxofone de Bobby Keys dá um solo prolongado sobre as camadas de guitarra de Richards e Taylor, antes que Taylor retome o controle com um longo solo de guitarra até o final da faixa.
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