Now, who＇s hot who not Tell me who rock who sell out in the stores You tell me who flopped who copped the blue drop Who jewels got robbed who＇s mostly Goldie down to the blue tube sock, the same ol pimp Mase, you know ain＇t nuttin changed but my limp Can＇t stop till I see my name on a blimp Guarantee a million sales pullin all the love You don＇t believe in Harlem World ***** double up We don＇t play around it＇s a bet lay it down ****** didn＇t know me ＇ 91 bet they know me now I＇m the young Harlem ***** with the Goldie sound Can＇t no PhD ****** hold me down, Cooter schooled me to the game, now I know my duty Stay humble stay low blow like Hootie True pimp ****** spend no dough on the booty And then ya yell there go Mase there go your cutie I don＇t know what, they want from me It＇s like the more money we come across The more problems we see Yeah yeah, ahaha, from the C-to-the-A-to-the-D-D-Y Know you＇d rather see me die than to see me fly I call all the shots Rip all the spots, rock all the rocks Cop all the drops, I know you thinkin now When all the ballin stops, ***** never home gotta call me on the yacht Ten years from now we＇ll still be on top Yo, I thought I told you that we won＇t stop Now whatcha gonna do when it＇s cool bag a money much longer than yours and a team much stronger than yours, violate me this＇ll be your day, we don＇t play Mess around with D.O.A., be on your way Cause it ain＇t enough time here, ain＇t enough lime here for you to shine here, deal with many women but treat dimes fair, and I＇m bigger than the city lights down in Times Square Yeah, yeah yeah Uhh, uhh B.I.G. P-O, P-P-A No info, for the, DEA Federal agents mad cause I＇m flagrant Tap my cell, and the phone in the basement My team supreme, stay clean Triple beam lyrical dream, I be that cat you see at all events bent Gats in holsters girls on shoulders Playboy, I told ya, bein mice to me Bruise too much, I lose too much Step on stage the girls boo too much I guess it＇s cause you run with lame dudes too much Me lose my touch, never that If I did, ain＇t no problem to get the gat Where the true players at? Throw your roadies in the sky Wave em side to side and keep your hands high While I give your girl the eye, player please Lyrically, ***** see B.I.G. be flossin jig on the cover of Fortune Five double oh, get the phone number your name, I got to know, I got to go Got the flow down pizat, platinum plus like thizat, dangerous on trizack, leave your ass blizzack I don＇t know what, they want from me It＇s like the more money we come across The more problems we see What＇s goin on? What＇s goin on? Somebody tell me What＇s goin on? What＇s goin on? I don＇t know what, they want from me It＇s like the more money we come across The more problems we see
Now, who＇s hot who not Tell me who rock who sell out in the stores You tell me who flopped who copped the blue drop Who jewels got robbed who＇s mostly Goldie down to the blue tube sock, the same ol pimp Mase, you know ain＇t nuttin changed but my limp Can＇t stop till I see my name on a blimp Guarantee a million sales pullin all the love You don＇t believe in Harlem World ***** double up We don＇t play around it＇s a bet lay it down ****** didn＇t know me ＇ 91 bet they know me now I＇m the young Harlem ***** with the Goldie sound Can＇t no PhD ****** hold me down, Cooter schooled me to the game, now I know my duty Stay humble stay low blow like Hootie True pimp ****** spend no dough on the booty And then ya yell there go Mase there go your cutie I don＇t know what, they want from me It＇s like the more money we come across The more problems we see Yeah yeah, ahaha, from the C-to-the-A-to-the-D-D-Y Know you＇d rather see me die than to see me fly I call all the shots Rip all the spots, rock all the rocks Cop all the drops, I know you thinkin now When all the ballin stops, ***** never home gotta call me on the yacht Ten years from now we＇ll still be on top Yo, I thought I told you that we won＇t stop Now whatcha gonna do when it＇s cool bag a money much longer than yours and a team much stronger than yours, violate me this＇ll be your day, we don＇t play Mess around with D.O.A., be on your way Cause it ain＇t enough time here, ain＇t enough lime here for you to shine here, deal with many women but treat dimes fair, and I＇m bigger than the city lights down in Times Square Yeah, yeah yeah Uhh, uhh B.I.G. P-O, P-P-A No info, for the, DEA Federal agents mad cause I＇m flagrant Tap my cell, and the phone in the basement My team supreme, stay clean Triple beam lyrical dream, I be that cat you see at all events bent Gats in holsters girls on shoulders Playboy, I told ya, bein mice to me Bruise too much, I lose too much Step on stage the girls boo too much I guess it＇s cause you run with lame dudes too much Me lose my touch, never that If I did, ain＇t no problem to get the gat Where the true players at? Throw your roadies in the sky Wave em side to side and keep your hands high While I give your girl the eye, player please Lyrically, ***** see B.I.G. be flossin jig on the cover of Fortune Five double oh, get the phone number your name, I got to know, I got to go Got the flow down pizat, platinum plus like thizat, dangerous on trizack, leave your ass blizzack I don＇t know what, they want from me It＇s like the more money we come across The more problems we see What＇s goin on? What＇s goin on? Somebody tell me What＇s goin on? What＇s goin on? I don＇t know what, they want from me It＇s like the more money we come across The more problems we see
O single “Mo Money Mo Problems” foi lançado em 15 de julho de 1997, como segunda faixa de “Life After Death”.
A música conta com participações de Mase e Puff Daddy, que coescreveram a faixa junto com The Notorious B.I.G. e Stevie J.
A batida traz uma sampleeada de “I’m Coming Out” de Diana Ross, creditando Bernard Edwards e Nile Rodgers como compositores.
A parte do refrão é interpolada por Kelly Price, mas aparece sem crédito oficial.
Foi o segundo single de “Mo Money Mo Problems” a alcançar o topo do Billboard Hot 100 postumamente, mantendo o lugar por duas semanas em 1997.
O hit recebeu indicação ao Grammy 1998 na categoria Best Rap Performance by a Duo or Group, refletindo seu impacto cultural imediato.
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