You know the day destroys the night Night divides the day Tried to run, tried to hide Break on through to the other side Break on through to the other side Break on through to the other side, yeah We chased our pleasures here Dug our treasures there But can you still recall the time we cried? Break on through to the other side Break on through to the other side Hey! Come on, yeah Everybody loves my baby Everybody loves my baby She get high She get high She get high She get high, yeah I found an island in your arms Country in your eyes Arms that chain us, eyes that lied Break on through to the other side Break on through to the other side Break on through, ow! Aw yeah! Made the scene, week to week Day to day, hour to hour Gate is straight, deep and wide Break on through to the other side Break on through to the other side Break on through, break on through Break on through, break on through Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah Yeah
You know the day destroys the night Night divides the day Tried to run, tried to hide Break on through to the other side Break on through to the other side Break on through to the other side, yeah We chased our pleasures here Dug our treasures there But can you still recall the time we cried? Break on through to the other side Break on through to the other side Hey! Come on, yeah Everybody loves my baby Everybody loves my baby She get high She get high She get high She get high, yeah I found an island in your arms Country in your eyes Arms that chain us, eyes that lied Break on through to the other side Break on through to the other side Break on through, ow! Aw yeah! Made the scene, week to week Day to day, hour to hour Gate is straight, deep and wide Break on through to the other side Break on through to the other side Break on through, break on through Break on through, break on through Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah Yeah
A faixa “Break On Through (To the Other Side)” é a primeira da trilha sonora do álbum de estreia da banda, lançada em 1967.
O disco foi publicado pela Elektra Records, que também lançou a música como single inicial da banda, alcançando apenas o número 126 nas paradas americanas.
Apesar de não ter impacto nas vendas do álbum, a canção tornou‑se peça-chave nos shows ao vivo da Doors, permanecendo como um dos seus clássicos de palco.
Vinte‑e‑quatro anos depois, ao ser incluída em um álbum de trilha sonora, a faixa alcançou o número 64 na parada britânica de singles, conquistando um pico de popularidade no Reino Unido.
A trajetória da música demonstra como um lançamento que não entra nas paradas pode evoluir para um ícone reconhecido em diferentes contextos e épocas.
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