

Love of my life, you've hurt me You've broken my heart And now you leave me Love of my life, can't you see? Bring it back, bring it back Don't take it away from me Because you don't know What it means to me (means to me) Love of my life, don't leave me You've taken my love (all my love) And now desert me Love of my life, can't you see? (Please, bring it) Bring it back, bring it back Don't take it away from me Because you don't know What it means to me You will remember When this is blown over And everything's all by the way When I grow older I will be there at your side To remind you how I still love you (I still love you) Hurry back, hurry back Please, bring it back home to me Because you don't know What it means to me (means to me) Love of my life Love of my life Ooh, ooh
Love of my life, you've hurt me You've broken my heart And now you leave me Love of my life, can't you see? Bring it back, bring it back Don't take it away from me Because you don't know What it means to me (means to me) Love of my life, don't leave me You've taken my love (all my love) And now desert me Love of my life, can't you see? (Please, bring it) Bring it back, bring it back Don't take it away from me Because you don't know What it means to me You will remember When this is blown over And everything's all by the way When I grow older I will be there at your side To remind you how I still love you (I still love you) Hurry back, hurry back Please, bring it back home to me Because you don't know What it means to me (means to me) Love of my life Love of my life Ooh, ooh
“Love of My Life” foi escrita por Freddie Mercury inicialmente ao piano e à guitarra antes de ser rearranjada por Brian May para um violão acústico de 12 cordas nas apresentações ao vivo, com a tonalidade abaixada em um terço menor.
Na gravação original, Brian May acrescentou frases de guitarra esporádicas e criou os glissandos de harpa ao colar várias tomadas de acordes individuais.
A balada sentimental destaca um solo de harpa, também executado por Brian May, algo raro nas canções de rock da época.
Depois da performance da música na América do Sul em 1981, a versão ao vivo lançada no álbum *Live Killers* chegou ao número 1 nas paradas de singles da Argentina e do Brasil, permanecendo nas listas de ambos os países por um ano inteiro.
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