

So sentimental Not sentimental, no Romantic, not disgusting yet Darling, I'm down and lonely When with the fortunate only I've been looking for something else These days, it comes, it comes, it comes It comes, it comes and goes Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Not hard to let it go From a mess to the masses Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Not hard to let it go From a mess to the masses Follow, misguide, stand still Disgust, discourage On this precious weekend ending This love's for gentlemen only Wealthiest gentlemen only And now that you're lonely Do let, do let, do let Jugulate, do let, do Let's go slowly, discouraged We'll burn the pictures instead When it's all over, we can barely discuss for one minute only Not with the fortunate only Thought it could have been something else These days, it comes, it comes, it comes It comes, it comes and goes Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Know how to let it go From a mess to the masses Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Know how to let it go From a mess to the masses (oh) Mmm, this is showtime, this is showtime, this is showtime Mmm, this is showtime, this is showtime, this is showtime Time, time to show it off, time to show it off It's time to show it off Time, time to show it off, time to show it off It's time to show it off From the mess to the masses Lisztomania Think less, but see it grow Like a riot, like a riot, oh Disgust, disgust, disgust Disgust, disgust, discouraged
So sentimental Not sentimental, no Romantic, not disgusting yet Darling, I'm down and lonely When with the fortunate only I've been looking for something else These days, it comes, it comes, it comes It comes, it comes and goes Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Not hard to let it go From a mess to the masses Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Not hard to let it go From a mess to the masses Follow, misguide, stand still Disgust, discourage On this precious weekend ending This love's for gentlemen only Wealthiest gentlemen only And now that you're lonely Do let, do let, do let Jugulate, do let, do Let's go slowly, discouraged We'll burn the pictures instead When it's all over, we can barely discuss for one minute only Not with the fortunate only Thought it could have been something else These days, it comes, it comes, it comes It comes, it comes and goes Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Know how to let it go From a mess to the masses Lisztomania Think less, but see it grow Like a riot, like a riot, oh Not easily offended Know how to let it go From a mess to the masses (oh) Mmm, this is showtime, this is showtime, this is showtime Mmm, this is showtime, this is showtime, this is showtime Time, time to show it off, time to show it off It's time to show it off Time, time to show it off, time to show it off It's time to show it off From the mess to the masses Lisztomania Think less, but see it grow Like a riot, like a riot, oh Disgust, disgust, disgust Disgust, disgust, discouraged
A canção “Lisztomania” foi escrita como uma referência ao frenesi cultural gerado pelo compositor húngaro do século XIX, Franz Liszt.
Thomas Mars, vocalista do Phoenix, explicou que a música mistura influências de várias fontes, incluindo o legado histórico de Liszt e o ambiente histórico de Versalhes, onde a banda cresceu.
O título “Lisztomania” alude ao termo usado para descrever a mania de fãs que Liszt provocava em suas apresentações, refletindo a ideia de “mash‑up” de influências que a banda buscava.
Em 2010, “Lisztomania” foi incluída na trilha sonora do sexto episódio da série documental da PBS “Circus”, ampliando sua presença na mídia televisiva.
Segundo entrevista ao jornal gratuito Washington DC Express, a banda considerou que o aspecto visual e a sensação de estar cercada por referências históricas contribuíram para a criação da música.
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