No I can't forget this evening Or your face as you were leaving But I guess that's just the way the story goes You always smile but in your eyes your sorrow shows Yes it shows No I can't forget tomorrow When I think of all my sorrow When I had you there but then I let you go And now it's only fair that I should let you know What you should know I can't live If living is without you I can't live I can't give anymore I can't live If living is without you I can't live I can't give anymore Well I can't forget this evening Nor your face as you were leaving But I guess that's just the way the story goes You always smile but in your eyes your sorrow shows Yes it shows I can't live If living is without you I can't live I can't give anymore I can't live If living is without you I can't live I can't give anymore (No I can't live) (No I can't live) I can't live (No I can't live) (No I can't live) If living is without you
No I can't forget this evening Or your face as you were leaving But I guess that's just the way the story goes You always smile but in your eyes your sorrow shows Yes it shows No I can't forget tomorrow When I think of all my sorrow When I had you there but then I let you go And now it's only fair that I should let you know What you should know I can't live If living is without you I can't live I can't give anymore I can't live If living is without you I can't live I can't give anymore Well I can't forget this evening Nor your face as you were leaving But I guess that's just the way the story goes You always smile but in your eyes your sorrow shows Yes it shows I can't live If living is without you I can't live I can't give anymore I can't live If living is without you I can't live I can't give anymore (No I can't live) (No I can't live) I can't live (No I can't live) (No I can't live) If living is without you
“One” foi escrito por Harry Nilsson enquanto aguardava uma chamada telefônica em sinal de ocupado, usando o timbre “beep, beep, beep, beep” como batida inicial da música.
O single original apareceu no álbum “Aerial Ballet” (1968), o terceiro de estúdio de Nilsson.
A versão de Three Dog Night, lançada em 1969, alcançou o quinto lugar no Billboard Hot 100 americano e o quarto no Canada.
Em 1969, o cantor australiano Johnny Farnham gravou sua própria versão, que subiu ao quarto lugar na lista Go-Set National Top 40.
Apesar de não ter sido um sucesso em disco para Nilsson, a faixa tornou-se icônica graças às performances cover que a popularizaram nas paradas globais.
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