

I know that I've been mad in love before And how it could be with you Will it hurt me baby? Really hurt me baby? How could you have a day without a night? You're the book that I have opened And now I've got to know much more The curiousness of your potential kiss Has got my mind and body aching Will it hurt me baby? Really cut me baby? How could you have a day without a night? You're the book that I have opened And now I've got to know much more Like a soul without a mind In a body without a heart I'm missing every part... heyyyyeah Heyyyyiiii, Like a soul without a mind In a body without a heart I'm missing every part Like a soul without a mind In a body without a heart I'm missing every part Like a soul without a mind In a body without a heart I'm missing every part
I know that I've been mad in love before And how it could be with you Will it hurt me baby? Really hurt me baby? How could you have a day without a night? You're the book that I have opened And now I've got to know much more The curiousness of your potential kiss Has got my mind and body aching Will it hurt me baby? Really cut me baby? How could you have a day without a night? You're the book that I have opened And now I've got to know much more Like a soul without a mind In a body without a heart I'm missing every part... heyyyyeah Heyyyyiiii, Like a soul without a mind In a body without a heart I'm missing every part Like a soul without a mind In a body without a heart I'm missing every part Like a soul without a mind In a body without a heart I'm missing every part
Foi lançada em 11 de fevereiro de 1991 como a segunda single do álbum *Blue Lines*, em um selo temporário chamado *Massive* para evitar banimento de rádio devido à Guerra do Golfo.
A faixa combina amostras vocais e de percussão, programação de bateria e orquestração de cordas composta por Jonny Dollar e arranjada por Wil Malone.
Alcançou o topo da Dutch Top 40 e entrou no top‑20 de vários países, incluindo Alemanha, Suíça e Reino Unido.
O videoclipe, dirigido por Baillie Walsh, é um único plano contínuo de Shara Nelson andando por um bairro de Los Angeles, sem notar o entorno.
Em 1993, a música foi incluída na trilha sonora do filme *Sliver* e, em 1996, foi regravada pela cantora Tina Turner no álbum *Wildest Dreams*.
Encontre o álbum e produtos relacionados a esta música
CD
Blue Lines (2012 Mix/Master)
Massive Attack
Vinil
Blue Lines (2012 Mix/Master)
Massive Attack

Camiseta Branca
Massive Attack
TopSongs Store


Camiseta Preta
Massive Attack
TopSongs Store
Fundado em 2012