

First the tide rushes in, plants a kiss on the shore Then rolls out to sea and the sea is very still once more So I rush to your side like the oncoming tide With one burning thought, will your arms open wide? At last face to face, and as we kiss through an embrace I can tell, I can feel you are love, you are real Really mine in the rain, in the dark, in the sun Like the tide at its ebb I'm at peace in the web of your arms First the tide rushes in, plants a kiss on the shore Then rolls out to sea and the sea is very still once more So I rush to your side like the oncoming tide With one burning thought, will your arms open wide? At last face to face, and as we kiss through an embrace I can tell, I can feel you are love, you are real Really mine in the rain, in the dark, in the sun Like the tide at its ebb I'm at peace in the web of your
First the tide rushes in, plants a kiss on the shore Then rolls out to sea and the sea is very still once more So I rush to your side like the oncoming tide With one burning thought, will your arms open wide? At last face to face, and as we kiss through an embrace I can tell, I can feel you are love, you are real Really mine in the rain, in the dark, in the sun Like the tide at its ebb I'm at peace in the web of your arms First the tide rushes in, plants a kiss on the shore Then rolls out to sea and the sea is very still once more So I rush to your side like the oncoming tide With one burning thought, will your arms open wide? At last face to face, and as we kiss through an embrace I can tell, I can feel you are love, you are real Really mine in the rain, in the dark, in the sun Like the tide at its ebb I'm at peace in the web of your
"Quiet Village" foi composta por Les Baxter em 1951 e mais tarde reinterpretada por Martin Denny em seu álbum instrumental de 1959.
O tema descreve a jornada de um barco rio de floresta, com imagens de serpente, pássaro plumado e aldeia silenciosa que inspiraram a atmosfera musical.
No álbum "Ritual of the Savage" (Le sacre du sauvage) de Denny, a faixa aparece como peça instrumental, enfatizando o estilo orquestral pop da época.
A composição reflete a tendência da década de 1950 de explorar sons exóticos e tropicais no cenário musical internacional.
A música permanece como um marco nos gêneros de música instrumental de inspiração tropical, influenciando gravações posteriores de artistas que exploram temas semelhantes.
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