

Chances are 'cause I wear a silly grin The moment you come into view, Chances are you think that I'm in love with you. Just because my composure sort of slips The moment that your lips meet mine, Chances are you think my heart's your Valentine. Bridge: In the magic of moonlight, When I sigh, "Hold me close, dear," Chances are you believe the stars That fill the skies are in my eyes. Guess you feel you'll always be The one and only one for me And, if you think you could, Well, chances are your chances are awfully good. (Instrumental interlude and pick up at the bridge.) In the magic of moonlight, When I sigh, "Hold me close, dear," Chances are you believe the stars That fill the skies are in my eyes. Guess you feel you'll always be The one and only one for me And, if you think you could, Well, chances are your chances are awfully good.
Chances are 'cause I wear a silly grin The moment you come into view, Chances are you think that I'm in love with you. Just because my composure sort of slips The moment that your lips meet mine, Chances are you think my heart's your Valentine. Bridge: In the magic of moonlight, When I sigh, "Hold me close, dear," Chances are you believe the stars That fill the skies are in my eyes. Guess you feel you'll always be The one and only one for me And, if you think you could, Well, chances are your chances are awfully good. (Instrumental interlude and pick up at the bridge.) In the magic of moonlight, When I sigh, "Hold me close, dear," Chances are you believe the stars That fill the skies are in my eyes. Guess you feel you'll always be The one and only one for me And, if you think you could, Well, chances are your chances are awfully good.
A canção “Chances Are” foi composta por Robert Allen, com letra de Al Stillman, e gravada por Johnny Mathis em 1957.
Após seu lançamento, “Chances Are” alcançou o primeiro lugar em diversas paradas da Billboard e da Cash Box.
Em 1998, a gravação foi honrada com a inclusão no Grammy Hall of Fame, reconhecendo sua importância histórica.
Em 2024, a Biblioteca do Congresso dos EUA selecionou a música para o National Recording Registry, garantindo sua preservação cultural.
A parceria entre Robert Allen e Al Stillman resultou em um dos maiores sucessos de Johnny Mathis, consolidando‑a como referência da música popular da década de 1950.
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