Got your highest sneakers on It's slippin' new Got your highest sneakers on And you're slippin' new You're more than alright You know you're out of sight You gotta shake the figure, mama That's keeping me uptight You gotta shake the figure, mama That keep me uptight You're too much You know you're out of sight Hey, the way you do the thing you do Well, you kissed me too The way you do the things you do The way you kissed me too My heart delight, that what's wrong You know you're out of sight You got a sweet disposition Oh, you're always right You got a sweet disposition You know you're always right Know just what you're doin' baby You know you're out of sight You're too much You're in You're hip, baby You know just where you're at You're beautiful, mama Most of all your arms There's no doubt, you're out of sight Out of sight, out of sight
Got your highest sneakers on It's slippin' new Got your highest sneakers on And you're slippin' new You're more than alright You know you're out of sight You gotta shake the figure, mama That's keeping me uptight You gotta shake the figure, mama That keep me uptight You're too much You know you're out of sight Hey, the way you do the thing you do Well, you kissed me too The way you do the things you do The way you kissed me too My heart delight, that what's wrong You know you're out of sight You got a sweet disposition Oh, you're always right You got a sweet disposition You know you're always right Know just what you're doin' baby You know you're out of sight You're too much You're in You're hip, baby You know just where you're at You're beautiful, mama Most of all your arms There's no doubt, you're out of sight Out of sight, out of sight
A faixa “Out of Sight” foi gravada em 1964 e aparece no álbum homônimo de James Brown.
O trecho de blues de 12 compassos que compõe a canção foi escrito por Brown sob o pseudônimo de “Ted Wright”.
A composição apresenta ritmos de dança com estalos e stacatos que já mostravam a base que viria a caracterizar o funk.
A seção de metais, com riffs explosivos, contribui para tornar a peça um marco evolutivo no surgimento do gênero funk.
A estrutura musical de “Out of Sight” exemplifica como Brown transformou o blues tradicional em uma nova linguagem rítmica, influenciando gerações futuras de músicos.
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