

Hey girl he treats you bad Leaves you at home on your own while he roams. Said he was out with the boys smells like sweet perfume Lipsticks on his collar his pockets ain't got a dollar. He staggers and he falls asleep In the same clothes that he wore in the street Wakes up and demands to eat you're in this thing mighty deep. What you need is a change of heart What you need is a change of life I know you got to have a change of man - change to me. What you need is a change of heart What you need is a change of life In fact I know you need a change of man - change to me. Every saturday night he wants to start a fight with you Either she ain't treatin' him right Or just because he's high as a kite. He blames you because the sun didn't shine And he blames you for what's wrong with his mind. He uses you as an escape goat If you can't see it let me pull your coat. He uses reverse psychology on you Remember when you caught him with Nona
Hey girl he treats you bad Leaves you at home on your own while he roams. Said he was out with the boys smells like sweet perfume Lipsticks on his collar his pockets ain't got a dollar. He staggers and he falls asleep In the same clothes that he wore in the street Wakes up and demands to eat you're in this thing mighty deep. What you need is a change of heart What you need is a change of life I know you got to have a change of man - change to me. What you need is a change of heart What you need is a change of life In fact I know you need a change of man - change to me. Every saturday night he wants to start a fight with you Either she ain't treatin' him right Or just because he's high as a kite. He blames you because the sun didn't shine And he blames you for what's wrong with his mind. He uses you as an escape goat If you can't see it let me pull your coat. He uses reverse psychology on you Remember when you caught him with Nona
A faixa foi gravada em 1965 pela banda Four Tops para o selo Motown.
Foi escrita e produzida pela equipe Holland–Dozier–Holland, os principais produtores da Motown na época.
O single ficou no topo da Billboard R&B Chart por nove semanas consecutivas, sendo considerado o maior single de R&B do ano pela revista.
Alcançou o primeiro lugar no Hot 100 por duas semanas não consecutivas (12‑19 de junho e 26 de junho‑3 de julho), substituindo “Back in My Arms Again” dos Supremes e sendo então deposto por “Mr. Tambourine Man” dos Byrds e depois recuperado antes de perder o cargo para “(I Can’t Get No) Satisfaction” dos Rolling Stones.
Foi classificado como o segundo maior single de 1965 pela Billboard.
Foi o primeiro sucesso de quatro cifras no Reino Unido para os Four Tops, atingindo o número 23 em 1965 e chegando ao número 10 em uma re‑lançamento no início de 1970.
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