

Return to sender Return to sender I gave a letter to the postman, He put it in his sack. Bright and early next morning, He brought my letter back. She wrote upon it: Return to sender, address unknown. No such number, no such zone. We had a quarrel, a lover's spat I write I'm sorry but my letter keeps coming back. So then I dropped it in the mailbox And sent it special D. Bright and early next morning It came right back to me. She wrote upon it: Return to sender, address unknown. No such person, no such zone. This time I'm gonna take it myself And put it right in her hand. And if it comes back the very next day Then I'll understand The writing on it Return to sender, address unknown. No such number, no such zone. Return to sender. Return to sender. Return to sender. Return to sender.
Return to sender Return to sender I gave a letter to the postman, He put it in his sack. Bright and early next morning, He brought my letter back. She wrote upon it: Return to sender, address unknown. No such number, no such zone. We had a quarrel, a lover's spat I write I'm sorry but my letter keeps coming back. So then I dropped it in the mailbox And sent it special D. Bright and early next morning It came right back to me. She wrote upon it: Return to sender, address unknown. No such person, no such zone. This time I'm gonna take it myself And put it right in her hand. And if it comes back the very next day Then I'll understand The writing on it Return to sender, address unknown. No such number, no such zone. Return to sender. Return to sender. Return to sender. Return to sender.
Foi composta por Winfield Scott e Otis Blackwell especificamente para se adaptar ao estilo de rock and roll de Elvis Presley.
Acanha em ser faixa do filme “Girls! Girls! Girls!” e critica o sofrimento romântico com uma parceira vingativa.
Lançada em 2 de outubro de 1962, foi o hino de Natal número 1 no Reino Unido naquele ano.
Também marcou história como a primeira canção a ocupar a topo na tabela de singles da Irlanda.
Por conta do pesado sucesso da Faixa “Big Girls Don’t Cry” no Top 5 dos EUA, terminou por segunda no mainstream da Billboard e, no entanto, levou o primeiro lugar nas tabelas concorrentes.
No ranking do Billboard R&B, ficou em #5 e atingiu disco de platina pela RIAA com mais de 1 milhão de cópias vendidas.
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