

I`m tired of playing on the team It seems I don`t get time out anymore What a change if we set the pace face to face No one even trying to score Oh oh I can feel the magic of your touch And when you move in close a little bit means so much Ooh yeah, you`ve got to understand baby Time out is what I`m here for One on one I want to play that game tonight One on one I know I want to play that One on one I want to play that game tonight One on one so slow You can`t tell me you don`t miss me girl I think I might know you too well Wonder what you`d say if you knew that I was coming tonight Want to? I want you can`t you tell One on one I want to play that game tonight One on one I know I want to play that One on one I want to play that game tonight One on one so slow That`s all you need to know now `Cause if it`s really right there`s nothing else One on one I want to play that game tonight...
I`m tired of playing on the team It seems I don`t get time out anymore What a change if we set the pace face to face No one even trying to score Oh oh I can feel the magic of your touch And when you move in close a little bit means so much Ooh yeah, you`ve got to understand baby Time out is what I`m here for One on one I want to play that game tonight One on one I know I want to play that One on one I want to play that game tonight One on one so slow You can`t tell me you don`t miss me girl I think I might know you too well Wonder what you`d say if you knew that I was coming tonight Want to? I want you can`t you tell One on one I want to play that game tonight One on one I know I want to play that One on one I want to play that game tonight One on one so slow That`s all you need to know now `Cause if it`s really right there`s nothing else One on one I want to play that game tonight...
“One on One” foi escrita por Daryl Hall e lançada como segundo single do álbum *H2O* em janeiro de 1983.
A gravação destaca um arranjo minimalista conduzido por sintetizadores, característico do som pop‑soul que o duo cultivava no início dos anos 80.
A letra usa metáforas esportivas, especialmente do basquete, para falar de sedução e intimidade.
Daryl Hall faz a voz principal, enquanto John Oates acrescenta harmonias de apoio na faixa.
A canção alcançou a posição número 7 na Billboard Hot 100 dos EUA e número 5 no Cash Box Top 100, tornando‑se um dos três singles que entrou no top 10 do álbum, junto com “Maneater” e “Family Man”.
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