It's getting near dawn When lights close their tired eyes I'll soon be with you, my love To give you my dawn surprise I'll be with you, darling, soon I'll be with you when the stars start falling I've been waiting so long To be where I'm going In the sunshine of your love I'm with you, my love The light's shining through on you Yes, I'm with you, my love It's the morning and just we two I'll stay with you, darling, now I'll stay with you 'till my seas are dried up I've been waiting so long To be where I'm going In the sunshine of your love I'm with you, my love The light's shining through on you Yes, I'm with you, my love It's the morning and just we two I'll stay with you, darling, now I'll stay with you till my seas are dried up I've been waiting so long I've been waiting so long I've been waiting so long To be where I'm going In the sunshine of your love
It's getting near dawn When lights close their tired eyes I'll soon be with you, my love To give you my dawn surprise I'll be with you, darling, soon I'll be with you when the stars start falling I've been waiting so long To be where I'm going In the sunshine of your love I'm with you, my love The light's shining through on you Yes, I'm with you, my love It's the morning and just we two I'll stay with you, darling, now I'll stay with you 'till my seas are dried up I've been waiting so long To be where I'm going In the sunshine of your love I'm with you, my love The light's shining through on you Yes, I'm with you, my love It's the morning and just we two I'll stay with you, darling, now I'll stay with you till my seas are dried up I've been waiting so long I've been waiting so long I've been waiting so long To be where I'm going In the sunshine of your love
O riff de baixo que deu origem à música foi criado por Jack Bruce em um momento de “desespero”, após passar a noite tentando compor sem sucesso com o letrista Pete Brown.
Eric Clapton contou que o riff surgiu depois que Bruce assistiu a um show de Jimi Hendrix, e o guitarrista acabou contribuindo para a gravação final.
A bateria apresenta um ritmo de tom‑tom distintivo de Ginger Baker, que se tornou um dos elementos reconhecíveis da faixa.
Lançada como o segundo single de *Disraeli Gears* em dezembro de 1967, a canção se tornou o primeiro e mais bem‑sucesso de Cream na América, alcançando alta na parada de 1968.
Em 2005, a banda regrava a música no Royal Albert Hall, e o vídeo da performance foi incluído no álbum de reunificação da banda.
Encontre o álbum e produtos relacionados a esta música
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