The tears I cry for you, could fill an ocean But you don't care how many tears I cry And though you only lead me on and hurt me I couldn't bring myself to say goodbye Cause everybody's somebody's fool Everybody's somebody's plaything And there are no exceptions to the rule Yes, everybody's somebody's fool I told myself it's best that I forget you Though I'm a fool at least I know the score Yet darlin' I'd be twice as blue without you It hurts but I come runnin' back for more Cause everybody's somebody's fool Everybody's somebody's plaything And there are no exceptions to the rule Yes, everybody's somebody's fool Someday you'll find someone you really care for And if her love should prove to be untrue You'll know how much this heart of mine is breaking You'll cry for her the way I've cried for you Yes, everybody's somebody's fool Everybody's somebody's plaything And there are no exceptions to the rule Yes, everybody's somebody's fool
The tears I cry for you, could fill an ocean But you don't care how many tears I cry And though you only lead me on and hurt me I couldn't bring myself to say goodbye Cause everybody's somebody's fool Everybody's somebody's plaything And there are no exceptions to the rule Yes, everybody's somebody's fool I told myself it's best that I forget you Though I'm a fool at least I know the score Yet darlin' I'd be twice as blue without you It hurts but I come runnin' back for more Cause everybody's somebody's fool Everybody's somebody's plaything And there are no exceptions to the rule Yes, everybody's somebody's fool Someday you'll find someone you really care for And if her love should prove to be untrue You'll know how much this heart of mine is breaking You'll cry for her the way I've cried for you Yes, everybody's somebody's fool Everybody's somebody's plaything And there are no exceptions to the rule Yes, everybody's somebody's fool
A canção “Everybody’s Somebody’s Fool”, escrita por Jack Keller e Howard Greenfield, alcançou o primeiro lugar nas paradas dos EUA em 1960, consolidando-se como um grande sucesso de Connie Francis.
A versão em alemão, intitulada “Die Liebe ist ein seltsames Spiel” e adaptada ao estilo polka, foi a primeira gravação em língua alemã lançada por Connie Francis.
“Die Liebe ist ein seltsame Spiel” também chegou ao topo das paradas de singles na Alemanha Ocidental em 1960, replicando o sucesso da versão original em inglês.
O arranjo polka da versão alemã destaca-se por combinar a melodia pop original com ritmos típicos da música tradicional germânica, marcando uma estratégia de internacionalização da carreira de Connie Francis.
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