

It's nine o'clock on a Saturday The regular crowd shuffles in There's an old man sitting next to me Making love to his tonic and gin He says: Son, can you play me a memory? I'm not really sure how it goes But it's sad, and it's sweet, and I knew it complete When I wore a younger man's clothes La-la-la-di-dee-da La-la-di-dee-da-da-dum Sing us a song, you're the piano man Sing us a song tonight Well, we're all in the mood for a melody And you've got us feeling alright Now John at the bar is a friend of mine He gets me my drinks for free And he's quick with a joke or to light up your smoke But there's someplace that he'd rather be He says: Bill, I believe this is killing me As the smile ran away from his face Well, I'm sure that I could be a movie star If I could get out of this place Oh, la-la-la-di-dee-da La-la-di-dee-da-da-dum Now Paul is a real estate novelist Who never had time for a wife And he's talking with Davy, who's still in the Navy And probably will be for life And the waitress is practicing politics As the businessmen slowly get stoned Yes, they're sharing a drink they call loneliness But it's better than drinking alone Sing us a song, you're the piano man Sing us a song tonight Well, we're all in the mood for a melody And you've got us feeling alright It's a pretty good crowd for a Saturday And the manager gives me a smile 'Cause he knows that it's me they've been coming to see To forget about life for a while And the piano, it sounds like a carnival And the microphone smells like a beer And they sit at the bar and put bread in my jar And say: Man, what are you doing here? Oh, la, la-la-di-dee-da La-la-di-dee-da-da-dum Sing us a song, you're the piano man Sing us a song tonight Well, we're all in the mood for a melody And you've got us feeling alright
It's nine o'clock on a Saturday The regular crowd shuffles in There's an old man sitting next to me Making love to his tonic and gin He says: Son, can you play me a memory? I'm not really sure how it goes But it's sad, and it's sweet, and I knew it complete When I wore a younger man's clothes La-la-la-di-dee-da La-la-di-dee-da-da-dum Sing us a song, you're the piano man Sing us a song tonight Well, we're all in the mood for a melody And you've got us feeling alright Now John at the bar is a friend of mine He gets me my drinks for free And he's quick with a joke or to light up your smoke But there's someplace that he'd rather be He says: Bill, I believe this is killing me As the smile ran away from his face Well, I'm sure that I could be a movie star If I could get out of this place Oh, la-la-la-di-dee-da La-la-di-dee-da-da-dum Now Paul is a real estate novelist Who never had time for a wife And he's talking with Davy, who's still in the Navy And probably will be for life And the waitress is practicing politics As the businessmen slowly get stoned Yes, they're sharing a drink they call loneliness But it's better than drinking alone Sing us a song, you're the piano man Sing us a song tonight Well, we're all in the mood for a melody And you've got us feeling alright It's a pretty good crowd for a Saturday And the manager gives me a smile 'Cause he knows that it's me they've been coming to see To forget about life for a while And the piano, it sounds like a carnival And the microphone smells like a beer And they sit at the bar and put bread in my jar And say: Man, what are you doing here? Oh, la, la-la-di-dee-da La-la-di-dee-da-da-dum Sing us a song, you're the piano man Sing us a song tonight Well, we're all in the mood for a melody And you've got us feeling alright
"Piano Man" foi lançada como single nos EUA em 1974 e aparece no álbum homônimo de 1973.
A letra narra a perspectiva de um pianista de bar, descrevendo os frequentadores do estabelecimento.
A canção se inspira nas experiências reais de Billy Joel como músico de lounge em Los Angeles entre 1972 e 1973, período em que buscava fugir do contrato com a Family Productions após o fracasso comercial de seu álbum de estreia.
Na sua estreia, atingiu o 25º lugar na parada Billboard Hot 100 em abril de 1974, tornando-se seu primeiro grande sucesso.
Em 2013, o disco foi incluído na Grammy Hall of Fame, reconhecendo sua importância histórica.
Dois anos depois, em 2015, a Biblioteca do Congresso o selecionou para preservação no National Recording Registry por sua relevância cultural e artística.
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