

This ain't Texas (woo)
Ain't no hold 'em (hey)
So lay your cards down, down, down, down
So park your Lexus (woo)
And throw your keys up (hey)
Stick around, 'round, 'round, 'round, 'round (stick around)
And I'll be damned if I can't slow dance with you
Come pour some sugar on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now, woo
Hah (woo)
There's a tornado (there's a tornado)
In my city (in my city)
Hit the basement (hit the basement)
That shit ain't pretty (that shit ain't pretty)
Rugged whiskey (rugged whiskey)
'Cause we survivin' ('cause we survivin')
Off red cup kisses, sweet redemption, passin' time, yeah
Ooh, one step to the right
We headin' to the dive bar we always thought was nice
Ooh, run me to the left
Then spin me in the middle, boy, I can't read your mind
This ain't Texas (woo)
Ain't no hold 'em (hey)
So lay your cards down, down, down, down
So park your Lexus (woo)
And throw your keys up (hey)
And stick around, 'round, 'round, 'round, 'round (stick around)
And I'll be damned if I can't slow dance with you
Come pour some sugar on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now, woo
And I'll be damned if I cannot dance with you
Come pour some liquor on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now, woo
Woo-hoo
Woo-hoo
Woo-hoo
There's a heatwave (there's a heatwave)
Comin' at us (comin' at us)
Too hot to think straight (too hot to think straight)
Too cold to panic (cold to panic)
All of the problems
Just feel dramatic (just feel dramatic)
Now we're runnin' to the first bar that we find, yeah
Ooh, one step to the right
We headed to the dive bar we always thought was nice
Ooh, you run to the left
Just work me in the middle, boy, I can't read your mind
This ain't Texas (woo)
Ain't no hold 'em (hey)
So lay your cards down, down, down, down, oh
So park your Lexus (hey)
And throw your keys up (hey)
And stick around, 'round, 'round, 'round, 'round (stick around)
And I'll be damned if I cannot dance with you
Come pour some sugar on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now (woo)
And I'll be damned if I cannot dance with you
Come pour some liquor on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a, come take it to the floor now, ooh
Take it to the floor now, ooh
Hoops, spurs, boots
To the floor now, ooh
Tuck (ooh) back (ooh), oops (ooh)
Shoot
Come take it to the floor now, ooh
And I'll be damned if I cannot dance with you
Baby, pour that sugar and liquor on me too
Furs, spurs, boots
Solargenic, photogenic, shootThis ain't Texas (woo)
Ain't no hold 'em (hey)
So lay your cards down, down, down, down
So park your Lexus (woo)
And throw your keys up (hey)
Stick around, 'round, 'round, 'round, 'round (stick around)
And I'll be damned if I can't slow dance with you
Come pour some sugar on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now, woo
Hah (woo)
There's a tornado (there's a tornado)
In my city (in my city)
Hit the basement (hit the basement)
That shit ain't pretty (that shit ain't pretty)
Rugged whiskey (rugged whiskey)
'Cause we survivin' ('cause we survivin')
Off red cup kisses, sweet redemption, passin' time, yeah
Ooh, one step to the right
We headin' to the dive bar we always thought was nice
Ooh, run me to the left
Then spin me in the middle, boy, I can't read your mind
This ain't Texas (woo)
Ain't no hold 'em (hey)
So lay your cards down, down, down, down
So park your Lexus (woo)
And throw your keys up (hey)
And stick around, 'round, 'round, 'round, 'round (stick around)
And I'll be damned if I can't slow dance with you
Come pour some sugar on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now, woo
And I'll be damned if I cannot dance with you
Come pour some liquor on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now, woo
Woo-hoo
Woo-hoo
Woo-hoo
There's a heatwave (there's a heatwave)
Comin' at us (comin' at us)
Too hot to think straight (too hot to think straight)
Too cold to panic (cold to panic)
All of the problems
Just feel dramatic (just feel dramatic)
Now we're runnin' to the first bar that we find, yeah
Ooh, one step to the right
We headed to the dive bar we always thought was nice
Ooh, you run to the left
Just work me in the middle, boy, I can't read your mind
This ain't Texas (woo)
Ain't no hold 'em (hey)
So lay your cards down, down, down, down, oh
So park your Lexus (hey)
And throw your keys up (hey)
And stick around, 'round, 'round, 'round, 'round (stick around)
And I'll be damned if I cannot dance with you
Come pour some sugar on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a bitch, come take it to the floor now (woo)
And I'll be damned if I cannot dance with you
Come pour some liquor on me, honey too
It's a real-life boogey and a real-life hoedown
Don't be a, come take it to the floor now, ooh
Take it to the floor now, ooh
Hoops, spurs, boots
To the floor now, ooh
Tuck (ooh) back (ooh), oops (ooh)
Shoot
Come take it to the floor now, ooh
And I'll be damned if I cannot dance with you
Baby, pour that sugar and liquor on me too
Furs, spurs, boots
Solargenic, photogenic, shootBeyoncé escreveu “Texas Hold ’Em” com Nathan Ferraro, Elizabeth Boland, Atia Boggs, Megan Bülow, Raphael Saadiq e Dahian Martinez, enquanto a produção ficou a cargo de Killah B e Nathan Ferraro.
Rhiannon Giddens contribuiu tocando banjo e viola, e depois comentou que esperava que o uso do banjo em uma música de Beyoncé “me dê um trabalho pronto”, mas acabou sendo surpreendida pelo resultado.
A faixa chegou ao #1 no Billboard Hot Country Songs, fazendo Beyoncé a primeira mulher negra a alcançar o topo desse ranking, e simultaneamente liderou o Billboard Hot 100, tornando‑a a primeira artista negra a dominar ambos os charts de uma só vez.
Em 2024, “Texas Hold ’Em” ficou simultaneamente #1 nos três principais serviços de streaming on‑demand (Spotify, Apple Music e Amazon Music), um feito histórico para qualquer artista.
A música também marcou a primeira vez que um single entrou no Country Airplay, Pop Airplay, Rhythmic, Adult R&B, Mainstream R&B/Hip‑Hop, R&B/Hip‑Hop Airplay e Triple A, sendo a única canção já a fazer isso em todas essas plataformas de rádio.
Beyoncé descreveu o sucesso de “Texas Hold ’Em” como uma “full‑circle moment” ao afirmar que “Beyoncé preserva o melhor do passado country e evolui-nos para um futuro que nunca vimos”, refletindo a importância cultural de um artista negro revitalizando o gênero.
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